L’Esclavage Est Liberte

Mixed Media. Acrylic, paper, spray paint, foil, custom wood frame.

80 x 106 cm // 32 x 42 in

Inspired by George Orwell’s 1984. “Slavery is Freedom.”

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In Spite of the Odds

Acrylic, wax, graphite, foil, canvas.

92 x 153 cm // 36 x 60 in each panel

Under a naive uniform spacetime model, the odds that two randomly placed “people” in the observable universe ever even both end up on Earth at overlapping times—let alone physically meet—are on the order of 10 -128 And that still ignores practical hurdles (geography, motion, actually crossing paths). On a cosmic scale, the probability is effectively zero; any real meeting between two specific humans is a profoundly rare, “cosmic-lottery” event.

Available

In den Volken

Acrylic, spray paint, canvas.

92 x 183 cm // 72 x 36 in

Composed of fragmented downloads from encoded dreams, this piece weaves together vibrant, ethereal languages, evoking a sense of otherworldly connection.

Available

Desert Places

Acrylic, canvas, graphite, charcoal, custom wood frame.

46 x 46 cm // 18 x 18 in

Inspired by “Desert Places”, a poem by Robert Frost.

Available

Stable Genius

Acrylic, canvas, oil, custom wood frame.

46 x 46 cm // 18 x 18 in

Inspired by the world of the late great filmmaker and artist, David Lynch.

“This whole world is wild at heart and weird on top.”

Lynch arrived at the AFI Conservatory in 1971. He worked in a converted horse stable—a gritty, makeshift space with dirt floors and exposed beams. This ramshackle environment shaped his early "Lynchian" aesthetic, defined by unease and the uncanny, influencing his groundbreaking filmmaking style.

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Nine Lives, None Left

Acrylic, canvas

102 × 76 cm // 40 x 30 in

Inspired by Hunter S. Thompson’s electrifying quote from The Proud Highway, this works vibrant painting embodies a life lived fearlessly.

Available

Hoʻoponopono No. 2

Acrylic, canvas.

60 x 60 cm

Each brushstroke is prayer and a meditation.

The Hoʻoponopono prayer The prayer is simple yet powerful stating, “I’m sorry. Please forgive me. Thank you. I love you.”

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Hoʻoponopono No. 1

Acrylic, oil, canvas.

92 x 153 cm // 36 x 60in

Each brushstroke is prayer and a meditation.

The Hoʻoponopono prayer The prayer is simple yet powerful stating, “I’m sorry. Please forgive me. Thank you. I love you.”

Available

Coyason

Acrylic, oil, canvas, sounds, alpaca yarn

61 × 122 cm // 24 x 48 in

Each brushstroke is prayer and a meditation.

Infused with tuning fork sounds, each of the seven chakras of the body are represented.

All proceeds will be donated to the Huachuma Foundation.

Available

Abundance

Acrylic, canvas, oil.

122 x 61 cm each panel

Commission (placed)

Bondage Bunnies 

Mixed media. Acrylic, canvas, oil, nail varnish.

44 x 38 cm

Re-appropriated antique painting.

NFS

Tsundoku

Acrylic, oil, canvas.

92 x 153 cm // 36 x 60 in

“Tsundoku (積ん読) is the phenomenon of acquiring reading materials but letting them pile up in one's home without reading them. The term is also used to refer to books ready for reading later when they are on a bookshelf. A stack of books found after cleaning a room.”

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Who Dares, Wins

Acrylic, canvas, graphite, charcoal.

122 x 61 cm // 48 x 24 in

Commission (placed)

Sakura

Acrylic, canvas.

61 x 122 cm each panel

Commission (placed)

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